What I love most about being an editor is the opportunity to transform raw footage into captivating visual narratives. There’s something incredibly rewarding about curating shots, identifying the ideal cutting points, and building sequences that engage viewers and guide them through the story in a meaningful way.
For me, editing is more than just assembling clips—it’s about crafting compelling messages and stories with clarity and impact. I take pride in shaping narratives that resonate with audiences, ensuring each piece communicates its purpose effectively.
I also enjoy the collaborative nature of my work, working closely with directors and producers to bring their creative visions to life. Together, we create films and content that not only meet expectations but often surpass them. Below are some recent examples of projects I’ve had the privilege to contribute to.
Broadcast
Offline Editor: The Cruise: Fun-Loving Brits at Sea
4x 1hr episodes
Offline editor : The Cruise
1x 1hr episode
DIT : Classic Car Rescue
4x 1hr episodes
Sport
Edit Guarantee: Formula E
Season 7&8 (31 Races)
Theatre
Offline Multicam Editor: Spring Awakening
2hr 15
Offline Editor: National Theatre Live intro films
2x 5min
DIT: Macbeth
Branded Content
Transport for London
Samsung
KPMG
Ultrasun
Christian Aid