1. ENVY Post Production

• Location: Fitzrovia & Soho
• Best for: Broadcast, feature docs, premium finishing
• Price: ££££
• Pros: Top-of-the-line facilities (Dolby Atmos, Flame, Baselight); award-winning team
• Don’t use if: You need low-budget social content
• Remote-friendly: Yes
• Software/Workflows: Avid, Flame, Baselight, Frame.io
• Website →

2. Splice Post

• Location: Shoreditch & Old Street
• Best for: Creative agency content, indie docs
• Price: £££
• Pros: Flexible approach, known for collaborating on big ideas
• Don’t use if: You require ultra-specialised VFX or feature finishing
• Remote-friendly: Yes
• Software/Workflows: Adobe CC, Avid, Resolve, LucidLink
• Website →

3. Picture Shop / The Farm Group

• Location: Soho
• Best for: Drama series, feature delivery, global-scale post
• Price: ££££
• Pros: Established reputation, part of the Picture Shop global network
• Don’t use if: You’re a solo creator or small brand
• Remote-friendly: Yes (global support)
• Software/Workflows: Avid, Baselight, Flame
• Website →

4. Platform Post

• Location: Soho
• Best for: Broadcast, VFX-heavy work, long-form series
• Price: ££££
• Pros: End-to-end post with grading, Avid, and Flame
• Don’t use if: You’re producing low-cost web videos
• Remote-friendly: Yes
• Software/Workflows: Baselight, Flame, Avid, After Effects
• Website →

5. UNIT Studios

• Location: Soho
• Best for: Advertising, music videos, high-end branded content
• Price: £££
• Pros: Great colourists, standout motion/VFX work
• Don’t use if: You need low-budget or quick turnaround
• Remote-friendly: Yes
• Software/Workflows: Flame, Baselight, Maya, Resolve
• Website →

6. Coffee & TV

• Location: Farringdon
• Best for: Motion design, stylish branded content, VFX
• Price: £££
• Pros: Award-winning visuals, in-house designers and finishers
• Don’t use if: You’re on a tight budget
• Remote-friendly: Yes
• Software/Workflows: Flame, Maya, Resolve
• Website →

7. The Mill

• Location: Soho, London
• Best for: High-end commercials, music videos, broadcast promos
• Pros: Globally recognised, cutting-edge VFX and finishing, strong grade & motion design team
• Cons: Premium pricing, not ideal for micro-budget or indie content
• Remote‑friendly: Yes
• Software/Workflows: Flame, Baselight, After Effects, Nuke
• Website →

8. Dynamic Post

• Location: London HQ
• Best for: Corporate video, TV broadcast finishing
• Price: ££
• Pros: Versatile post facility, experienced with documentary and corporate
• Don’t use if: You need in-house VFX or bespoke motion graphics
• Remote-friendly: Yes
• Software/Workflows: Avid, Resolve, Premiere
• Website →

9. Gravity House (Gravity Media)

• Location: Soho
• Best for: Hybrid remote/in-studio editing, large team projects
• Price: £££
• Pros: 40 suites, great for productions needing scale
• Don’t use if: You want a personal, boutique touch
• Remote-friendly: Yes
• Software/Workflows: Avid, Adobe, Resolve
• Website →

10. Film Post (Film Soho Group)

• Location: Soho
• Best for: Cinematic finishing, full DCP or IMF delivery
• Price: £££
• Pros: HDR grading, theatrical finishing, editorial pipeline
• Don’t use if: You need fast-turnaround content
• Remote-friendly: Yes
• Software/Workflows: Resolve, ProTools, Premiere, Avid
• Website →

• Location: Remote-first with London presence
• Best for: Corporate, documentary, branded content
• Price: Flexible for short-form projects
• Pros: Decades of broadcast and corporate experience; client-first attitude
• Don’t use if: You need VFX or studio-based finishing
• Remote-friendly: Yes, fully remote edits available
• Software/Workflows: Adobe Premiere Pro, DaVinci Resolve, After Effects
• Showreel →

Comparison Table

Pro Tips for Choosing an Editing Studio

• Budget wisely: ££££ studios are amazing, but don’t burn your budget if you’re making social content.
• Check software compatibility: Make sure the studio supports the platform you’ve been working in.
• Ask for reels and case studies: Any good post house should have relevant recent examples.
• Consider a test edit: Some editors offer a paid trial to see if you’re a good fit.
• Time zones matter (if remote): If your team is in London, working with a UK-based post team—even remotely—can help.

TL;DR

• Go big (ENVY, Picture Shop) if you’re delivering for broadcasters.
• Go boutique (UNIT, Dynamic) for stylised or fast turnaround work.
• Go freelance (like Joe at Cinematic Lee Ltd) for personalised, cost-effective results.
• Consider remote global options only if you’re confident in your brief and don’t need handholding.

Got questions about workflows, formats or delivery specs? Drop me a line. I’ve been through all of this, and I’m happy to point you in the right direction.

Being self-employed, we have to adapt or die.

If you’re really on a shoestring budget, consider video editing costing £5, but make sure to vet portfolios carefully as its realy hit or miss.