
Looking for the best video editing studios in London? Whether you’re a filmmaker, brand, YouTuber or startup, the capital has a huge range of post-production options, spanning high-end post houses, boutique edit suites and remote-friendly freelance editors.
This guide is your no-nonsense shortcut to finding the right edit partner. Every studio on this list has a real London address (no vague “UK-based” claims), with pricing guidance, typical clients, and pros and cons laid out clearly.
I’ve also included a bonus freelance option at the end for those after a more personal, flexible approach.
Table of Contents
ToggleHigh-End Post Houses
Table of Contents
Toggle
1. ENVY Post Production
- Location: Fitzrovia & Soho
- Best for: Broadcast, feature docs, premium finishing
- Price: ££££
- Pros: Top-of-the-line facilities (Dolby Atmos, Flame, Baselight); award-winning team
- Don’t use if: You need low-budget social content
- Remote-friendly: Yes
- Software/Workflows: Avid, Flame, Baselight, Frame.io
- Website →

2. Splice Post
- Location: Shoreditch & Old Street
- Best for: Creative agency content, indie docs
- Price: £££
- Pros: Flexible approach, known for collaborating on big ideas
- Don’t use if: You require ultra-specialised VFX or feature finishing
- Remote-friendly: Yes
- Software/Workflows: Adobe CC, Avid, Resolve, LucidLink
- Website →

3. Picture Shop / The Farm Group
- Location: Soho
- Best for: Drama series, feature delivery, global-scale post
- Price: ££££
- Pros: Established reputation, part of the Picture Shop global network
- Don’t use if: You’re a solo creator or small brand
- Remote-friendly: Yes (global support)
- Software/Workflows: Avid, Baselight, Flame
- Website →

4. Platform Post
- Location: Soho
- Best for: Broadcast, VFX-heavy work, long-form series
- Price: ££££
- Pros: End-to-end post with grading, Avid, and Flame
- Don’t use if: You’re producing low-cost web videos
- Remote-friendly: Yes
- Software/Workflows: Baselight, Flame, Avid, After Effects
- Website →
Boutique & Agile Studios

5. UNIT Studios
- Location: Soho
- Best for: Advertising, music videos, high-end branded content
- Price: £££
- Pros: Great colourists, standout motion/VFX work
- Don’t use if: You need low-budget or quick turnaround
- Remote-friendly: Yes
- Software/Workflows: Flame, Baselight, Maya, Resolve
- Website →

6. Coffee & TV
- Location: Farringdon
- Best for: Motion design, stylish branded content, VFX
- Price: £££
- Pros: Award-winning visuals, in-house designers and finishers
- Don’t use if: You’re on a tight budget
- Remote-friendly: Yes
- Software/Workflows: Flame, Maya, Resolve
- Website →

7. The Mill
- Location: Soho, London
- Best for: High-end commercials, music videos, broadcast promos
- Pros: Globally recognised, cutting-edge VFX and finishing, strong grade & motion design team
- Cons: Premium pricing, not ideal for micro-budget or indie content
- Remote‑friendly: Yes
- Software/Workflows: Flame, Baselight, After Effects, Nuke
- Website →

8. Dynamic Post
- Location: London HQ
- Best for: Corporate video, TV broadcast finishing
- Price: ££
- Pros: Versatile post facility, experienced with documentary and corporate
- Don’t use if: You need in-house VFX or bespoke motion graphics
- Remote-friendly: Yes
- Software/Workflows: Avid, Resolve, Premiere
- Website →

9. Gravity House (Gravity Media)
- Location: Soho
- Best for: Hybrid remote/in-studio editing, large team projects
- Price: £££
- Pros: 40 suites, great for productions needing scale
- Don’t use if: You want a personal, boutique touch
- Remote-friendly: Yes
- Software/Workflows: Avid, Adobe, Resolve
- Website →

10. Film Post (Film Soho Group)
- Location: Soho
- Best for: Cinematic finishing, full DCP or IMF delivery
- Price: £££
- Pros: HDR grading, theatrical finishing, editorial pipeline
- Don’t use if: You need fast-turnaround content
- Remote-friendly: Yes
- Software/Workflows: Resolve, ProTools, Premiere, Avid
- Website →
Bonus: Joe Savitch-Lee, Freelance Editor at Cinematic Lee Ltd

- Location: Remote-first with London presence
- Best for: Corporate, documentary, branded content
- Price: Flexible for short-form projects
- Pros: Decades of broadcast and corporate experience; client-first attitude
- Don’t use if: You need VFX or studio-based finishing
- Remote-friendly: Yes, fully remote edits available
- Software/Workflows: Adobe Premiere Pro, DaVinci Resolve, After Effects
- Showreel →
Comparison Table
Studio Name | Price Tier | Best For | Remote Friendly |
---|---|---|---|
ENVY | ££££ | Broadcast, Feature Docs | Yes |
Splice Post | £££ | Indie Docs, Creative Agencies | Yes |
Picture Shop | ££££ | Drama, Feature Delivery | Yes |
Platform Post | ££££ | Long-Form Broadcast | Yes |
UNIT Studios | £££ | Ads, Music Videos, Branded | Yes |
Coffee & TV | £££ | Motion Design, Branded VFX | Yes |
Dynamic Post | ££ | Corporate, Documentary | Yes |
Gravity House | £££ | Scalable Team Projects | Yes |
Film Post | £££ | Cinema-Grade Finishing | Yes |
Cinematic Lee Ltd | Flexible | Corporate, Branded, Documentary | Yes |
Pro Tips for Choosing an Editing Studio
- Budget wisely: ££££ studios are amazing, but don’t burn your budget if you’re making social content.
- Check software compatibility: Make sure the studio supports the platform you’ve been working in.
- Ask for reels and case studies: Any good post house should have relevant recent examples.
- Consider a test edit: Some editors offer a paid trial to see if you’re a good fit.
- Time zones matter (if remote): If your team is in London, working with a UK-based post team—even remotely—can help.
TL;DR
- Go big (ENVY, Picture Shop) if you’re delivering for broadcasters.
- Go boutique (UNIT, Dynamic) for stylised or fast turnaround work.
- Go freelance (like Joe at Cinematic Lee Ltd) for personalised, cost-effective results.
- Consider remote global options only if you’re confident in your brief and don’t need handholding.
Got questions about workflows, formats or delivery specs? Drop me a line. I’ve been through all of this, and I’m happy to point you in the right direction.
Being self-employed, we have to adapt or die.
If you’re really on a shoestring budget, consider video editing costing £5, but make sure to vet portfolios carefully as its realy hit or miss.
Joe Savitch-Lee
Over 20 years in media, having worked on four continents and on countless projects both on location and in a suite. He has excelled in both building/maintaining editing systems and editing them.